The Escaping Club — Key Ideas to Explore

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In Category - World Events
Evans, A. J. (Alfred John), 1889-1960 Project Gutenberg 2010 Not confirmed
World War, 1914-1918 -- Prisoners and prisons, German; World War, 1914-1918 -- Prisoners and prisons, Turkish; Prisoner-of-war escapes Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 89,991
Reading time 392 min
Text sections 8

The Escaping Club — Key Ideas to Explore can be approached with a clearer sense of reading commitment from its source measurements: 89,991 words, 6 hr 32 min estimated reading time, and 8 detected text sections.

The text analysis averages about 22.7 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “World War, 1914-1918 -- Prisoners and prisons, German,” connecting these edition facts with the source record’s subject description.

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A first-hand account of WWI escape attempts from German and Turkish prison camps, focusing on the practical challenges, ingenuity, and setbacks of tunneling, hiding in baskets, and crossing borders, as narrated by British officer A. J. Evans.
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The opening pages of The Escaping Club place the reader not in a prison camp but in the air above the Somme in July 1916. Evans, a pilot in No. 3 Squadron, describes the daily monotony of ranging heavy guns and the rare thrill of catching a German battery firing. His tone is matter-of-fact, even wry: the pre-battle landscape seemed “almost peaceful and deserted,” with anti-aircraft shells arriving from nowhere. This calm before the storm sets up a narrative voice that will later treat escape attempts with similar understatement—a blend of technical observation and dry humor that characterizes the entire memoir.

The Voice of a Practical Observer

Evans writes as a man who notices details: the “thin straight line” of a light railway, the “white lines” of ration-party paths, the “shading” of barbed wire along German trenches. This observational habit carries into his prison-camp narratives. When describing a failed tunnel, he notes the exact depth of a surface depression—“about 6 inches deep and a foot in diameter”—and the sequence of events that led to its discovery. He does not dramatize; he reports. The effect is that of a technical debriefing, which paradoxically makes the tension more acute. Readers should pay attention to these small, concrete details: they are the building blocks of Evans’s credibility and the key to understanding the practical mindset of a serial escaper.

Setbacks as Narrative Structure

The excerpts reveal a pattern: each escape attempt is meticulously planned, then thwarted by bad luck, German vigilance, or the prisoners’ own miscalculations. The tunnel under Room 49 is abandoned because of moonlight; a later attempt is betrayed by a sentry spotting a depression in the earth. The “basket trick” fails when wickerwork creaks and alerts a guard. Evans even remarks, “looking back now, I feel rather thankful that we never made the attempt.” This retrospective gratitude is characteristic: failure is not the end of the story but a pivot to the next scheme. The narrative rhythm—plan, setback, reflection, new plan—gives the memoir a cumulative momentum. Readers should expect not a single triumphant escape but a series of near-misses and lessons learned.

The Social World of the Prison Camp

Evans’s account is populated by a cast of fellow prisoners—Gilliland, Unett, Batty Smith, Gaskell, de Goys, Moretti—each contributing a skill or personality. Moretti, for instance, is “instantly appointed chef” after moving rooms and promptly starts another tunnel. The camp has its own hierarchy and division of labor: orderlies carry baskets, N.C.O.s tap window bars, and sentries have nicknames like “the Blue Boy.” The “Escaping Club” of the title is not a formal organization but a loose fellowship of officers who share tools, intelligence, and encouragement. Evans’s tone toward his comrades is collegial, never heroic. He notes their successes and failures with equal equanimity, creating a portrait of collective endurance rather than individual derring-do.

The Role of Luck and German Countermeasures

Evans repeatedly emphasizes the role of chance and the Germans’ evolving counter-escape tactics. The tunnel is discovered because a sentry notices a depression; the basket trick fails because a guard is posted outside the parcel office after a previous incident. Evans observes that from Fort 9, where “the Germans were so very suspicious,” such methods required “more than an average amount of luck.” Yet he also notes that the same trick succeeded elsewhere. This awareness of context—that a camp’s regime and the guards’ alertness vary—gives the narrative a strategic dimension. Readers should note how Evans calibrates his expectations: he does not assume every plan will work, but he also does not despair. His resilience is grounded in a clear-eyed assessment of odds, not blind optimism.

The Escaping Club is best read as a cumulative record of ingenuity and persistence rather than a single escape story. Evans’s voice—precise, wry, and unheroic—invites the reader to share in the problem-solving process. Pay attention to the small details of camp life and the recurring pattern of near-success and setback; they are the real substance of the narrative. The book’s value lies not in a triumphant climax but in the steady, unsentimental documentation of what it took to keep trying.

Years at this desk have taught me that hope often hides in the smallest gestures. In The Escaping Club, Evans recounts a tunnel’s slow, dirt-caked progress—each inch a quiet defiance. I found that same stubborn flame in Crescent and Iron Cross — A Closer Reading, where the desert’s vastness somehow cradles a man’s private determination. They whisper to each other across decades.

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